is a (ridiculously passionate, probably obsessive) graphic designer interested in the ideas and opportunities of communication. 
Print, Identity & Branding
The Society for Neuroscience exists as a group and resource for those in the field of brain sciences. Neuroscience requires both a theoretical study as well as applied sciences. The identity and stationery required professionalism while still alluding to this organic science. The abstract mark is symbolic of the two hemispheres and four quarters of the brain. The identity also subtlety references the aesthetic of historic anatomy drawings, with the mark doubling as a seal-like emblem. An emailable brochure, poster, and postcards were created for the society's annual conference. The collateral alludes to the fluid movement and connections in the brain. Watercolor droplets distilled in water were shaped to resemble a human brain and spinal stem.
Print, Book
Asking Why is a series of three books and satchel revolving around the idea of censorship. The books are heavily influenced in content and idea by Revolutionary War materials, such as Thomas Paine's "Common Sense," and other ideal-pamphlets. The books are meant as awareness peices, although they try to avoid the cliche idea of bold graphics and ripped paper when representing censorship. Instead, they utilize elegant, shifting type. The books progress in content and tone from meek and strictly academic, to a louder visual calling the reader to ask why.
Print, Book
Saying Things Differently is an exploration in the idea of typography as communication. The book progresses through the different methods for setting type (kerning and tracking, point size, weight, face, etc.) and ends with a series of experiments thats set a phrase that may invoke a certain emotion in a very unexpected way. The arguement is that absolutely every element of set type can change the reading of any content, and that those choices in themselves can communicate just as much as any other design element or content.
Web, Web design
Work completed at Moxie Sozo.
The One Percent Foundation is a philanthropic institution aimed at recent college graduates. They required a refreshed identity and interactive website to not only educate and encourage a young audience, but also act as an easy to manage democratic system of giving.
Web, Design & Code
Visit the site.
Yes, it is a blog. Glyph is a personal journal for my thoughts on communication and the ways it currently interacts with society, design, and technology.
Print, Posters
The poster series relies on bold graphics restricted to two colors to convey two very important social messages.
Print, Posters
The two academic calendars explore layout in odd-sized dimensions as well as versatile type solutions. The calendars aim to capture the attention of students and upcoming events in an untraditional way, reflective of the school.
Print, Information Design
The two spreads explore faith in the United States through inforgraphics. The focus of this project was specifically on the abstract idea of faith, and not different religions. The radial diagram shows the overall strength of faith in the U.S. in amounts: the dots closer to the center represent those who most strongly believe, while those furthest away do not believe.
Print, Ad
Work completed at Moxie Sozo.
This full-spread ad was created for Mountain High Resort showcasing their nationally acclaimed snowboarding team. The ominous, story-like aesthetic caters to the magazine's audience of young males.
Print, Identity & Branding
The Museum of Sound is a fictional museum that aims to create a new, ever-changing entertainment experience. An identity was needed that could show this excitement, while still presenting itself as an academic entity in the 21st century. A mark, stationery system, brochure system, three brochures, and brand book were created for the museum. The color scheme is based off the Doppler effect and the red-to-blue shift as a means of visualizing motion, vibration, and sound.
Print, Posters
Take Another Look is a social awareness campaign for homelessness. The call to action is, unlike most campaigns, not directly related to donating money. Instead, the goal of the project was to remind people that the homeless are still people. It's easy to be in an urban area, with many around, and begin to forget about our surroundings, people included. The challenge was to find a way to communicate humanity without a human face.
Print, Identity
1. Untitled/In Process
2.-3. Local money transaction business, work done at Moxie Sozo.
4. Read Between the Leading, a graphic design radio show. (Mark completed with Matt McInerney.)
5. Museum of Sound, emphasizing rhythm.
6. Aaron Heth, personal mark.
7. Society for Neuroscience.
Lithograph Prints
Multi and single run lithograph prints.
Aaron Heth is a graphic designer completing his studies at the Savannah College of Art & Design. He is interested in the opportunities and ideas found within communication. He is concerned with concept, reason, and purpose. He strives to do two things in his work: communicate through appropriate choices for any given project, and to continue to grow while pushing himself to look at problems from new, and unexpected points of view.
In his free time, Aaron co-hosts the online audio show Read Between the Leading, contributes to different social arenas of designs, writes, reads, enjoys other things, and drinks quite a lot of water. He enjoys both print and web design. He is available for freelance, is beginning his career search for a firm in the San Francisco area, and would love to hear from you.
